Box 9
Container
Contains 19 Results:
Much Ado About Nothing (1932)
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
The Tempest
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
The Hairy Ape
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
The Insect Comedy (1934)
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
The Insect Comedy (1934)
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
The Insect Comedy (1934)
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
Tartuffe (1936)
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
Hamlet
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
The Life of Man (1932)
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
The Death of Tintagiles (1930)
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
R.U.R. (1940)
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
Henry IV, Part 1 (1936)
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
Henry IV, Part 1 (1936)
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
Henry IV, Part 1 (1936)
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
Romeo and Juliet (1936)
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
The Firebird, Ballet
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
Peter Pan
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
Macbeth
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983
Paths of Glory (1935)
File — Box: 9
Scope and Contents
From the Series:
This addition consists of set, stage, and costume designs once separated, due to their oversized formats, from the main body of Mitchell’s papers.Predominant among these materials are colorfully rendered, watercolor set designs for theatrical productions staged through Northwestern University’s University Theatre program. While some of the designs are undated, they appear to date from the 1930s and early 1940s, when Mitchell was in the early stages of his career on the...
Dates:
1929-1983