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Box 3

 Container

Contains 15 Results:

Dark pastorale : for guitar, To 1973

 File — Box: 3, Folder: 1
Identifier: Folder 1
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: To 1973

The dark side of the moon : solo alto flute, To 1982

 File — Box: 3, Folder: 2
Identifier: Folder 2
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: To 1982

Death comes, 1952

 File — Box: 3, Folder: 3
Identifier: Folder 3
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: 1952

Dialogues of lovers, 1966

 File — Box: 3, Folder: 5
Identifier: Folder 5
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: 1966

The dodo : a lyric opera in one act, 1975

 File — Box: 3, Folder: 7
Identifier: Folder 7
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: 1975

The dodo, 1974

 File — Box: 3, Folder: 8
Identifier: Folder 8
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: 1974

The dodo, 1974

 File — Box: 3, Folder: 9
Identifier: Folder 9
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: 1974

The dodo : suite for narrator and orchestra, To 1982

 File — Box: 3, Folder: 10
Identifier: Folder 10
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: To 1982

The dodo, To 1982

 File — Box: 3, Folder: 11
Identifier: Folder 11
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: To 1982

Double fugue for chamber orchestra, undated

 File — Box: 3, Folder: 12
Identifier: Folder 12
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: undated

Down the rapids of sleep : three dream songs : for soprano and vibraphone, 1981

 File — Box: 3, Folder: 13
Identifier: Folder 13
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: 1981

Drei Stücke für Cembalo, 1959

 File — Box: 3, Folder: 14
Identifier: Folder 14
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: 1959

Du : for baritone and piano, 2008

 File — Box: 3, Folder: 15
Identifier: Folder 15
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: 2008

I due orfani : a dramatic dialogue : for two voices and chamber ensemble, 1959

 File — Box: 3, Folder: 16
Identifier: Folder 16
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: 1959

I due orfani, 1959

 File — Box: 3, Folder: 17
Identifier: Folder 17
Scope and Contents From the Collection:

The papers of Robert Michael Lombardo consist primarily of holograph and computer-generated scores of the composer's musical compositions and sketches for many of these works, spanning from 1945 to the present. The papers include correspondence and sound recordings on CD-R discs.

Dates: 1959