Box 1
Container
Contains 65 Results:
Letter, May 19, 1930: Nice to Menton, 1930-05-19
File — Box: 1, Folder: 20
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-05-19
Letter, May 23, 1930: Nice to Menton, 1930-05-23
File — Box: 1, Folder: 21
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-05-23
Letter, June 3, 1930: Nice to Paris, 1930-06-03
File — Box: 1, Folder: 22
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-06-03
Letter, June 3, 1930: Nice to [no address], 1930-06-03
File — Box: 1, Folder: 23
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-06-03
Letter, [Saturday], undated, ca. 1930: Nice to Zurich, c. 1930
File — Box: 1, Folder: 24
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
c. 1930
Letter, undated, ca. 1930: Berlin to [no address], c. 1930
File — Box: 1, Folder: 25
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
c. 1930
Telegram, July 1, 1930: Badenweiler to Zurich, 1930-07-01
File — Box: 1, Folder: 26
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-07-01
Telegram, July 2, 1930: Badenweiler to Zurich, 1930-07-02
File — Box: 1, Folder: 27
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-07-02
Letter, October 14 [?], 1930: Berlin to Badenweiler, 1930-10-14
File — Box: 1, Folder: 28
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-10-14
Letter, postmark October 19, 1930: Berlin to Badenweiler, 1930-10-19
File — Box: 1, Folder: 29
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-10-19
Letter, October 27, 1930: Berlin to Badenweiler, 1930-10-27
File — Box: 1, Folder: 30
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-10-27
Letter, postmark October 30, 1930: Berlin to Badenweiler, 1930-10-30
File — Box: 1, Folder: 31
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-10-30
Letter, postmark November 1, 1930: Berlin to Badenweiler, 1930-11-01
File — Box: 1, Folder: 32
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-11-01
Letter, November 1, 1930: [Neu Bentschen?] to Badenweiler, 1930-11-01
File — Box: 1, Folder: 33
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-11-01
Letter, November 15, 1930: [unknown] to Badenweiler, 1930-11-15
File — Box: 1, Folder: 34
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-11-15
Letter, December 7, 1930: Moscow to Badenweiler, 1930-12-07
File — Box: 1, Folder: 35
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-12-07
Letter, December 19, 1930: Moscow to Badenweiler, 1930-12-19
File — Box: 1, Folder: 36
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-12-19
Letter, Dec. 1930-January 7, 1931: Moscow to Badenweiler, 1930-12 - 1931-01-07
File — Box: 1, Folder: 37
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1930-12 - 1931-01-07
Letter, ca. January 18-22, 1931 [?]: Moscow to Badenweiler, 1931-01-18 - 1931-01-22
File — Box: 1, Folder: 38
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1931-01-18 - 1931-01-22
Letter, March 10, 1931: Moscow to Badenweiler, 1931-03-10
File — Box: 1, Folder: 39
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1931-03-10