Box 1
Container
Contains 65 Results:
Letter, March 18, 1931: [no envelope], 1931-03-18
File — Box: 1, Folder: 40
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1931-03-18
Letter, postmark June 19, 1931: Moscow to Pornic, 1931-06-19
File — Box: 1, Folder: 41
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1931-06-19
Letter, July 6, 1931: Moscow to Pornic, 1931-07-06
File — Box: 1, Folder: 42
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1931-07-06
Letter, postmark July 27, 1931: Moscow to Pornic, 1931-07-27
File — Box: 1, Folder: 43
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1931-07-27
Letter, August 15, 1931 [+ July 25?]: Moscow to Pornic, 1931-08-15
File — Box: 1, Folder: 44
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1931-08-15
Letter, ca. November 12-18, 1931: Moscow to New York City, 1931-11-12 - 1931-11-18
File — Box: 1, Folder: 45
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1931-11-12 - 1931-11-18
Letter, ca. Dec. 1931-February, 1932: Moscow [?] to New York City [?], 1931-12 - 1932-02
File — Box: 1, Folder: 46
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1931-12 - 1932-02
Letter, undated, ca. 1932 [January 20?]: Moscow to New York City, 1932-01-20
File — Box: 1, Folder: 47
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1932-01-20
Letter, undated, ca. 1931-1932: Moscow to New York City, 1931 - 1932
File — Box: 1, Folder: 48
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1931 - 1932
Letter, June 16/July 19, 1932: Badenweiler to New York, Petersham, MA, 1932-06-16 - 1932-07-19
File — Box: 1, Folder: 49
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1932-06-16 - 1932-07-19
Letter, August 17, 1932: Badenweiler to Petersham, MA/Greensbro, VT, 1932-08-17
File — Box: 1, Folder: 50
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1932-08-17
Letter, September 21, 1932: Badenweiler to New York City/Petersham, MA, 1932-09-21
File — Box: 1, Folder: 51
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1932-09-21
Letter, October 1, 1932: Badenweiler/Berlin to New York City, 1932-10-01
File — Box: 1, Folder: 52
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1932-10-01
Letter, October 6, 1932: Badenweiler to New York City, 1932-10-06
File — Box: 1, Folder: 53
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1932-10-06
Letter, October 16, 1932: Badenweiler to New York City, 1932-10-16
File — Box: 1, Folder: 54
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1932-10-16
Letter, postmarked the 29th of [?], ca. 1932: Badenweiler to Petersham, MA, c. 1932
File — Box: 1, Folder: 55
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
c. 1932
Letter, undated, ca. 1932: Badenweiler to Petersham, MA, c. 1932
File — Box: 1, Folder: 56
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
c. 1932
Telegram, January 1, 1933: Moscow to New York City, 1933-01-01
File — Box: 1, Folder: 57
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1933-01-01
Letter, August 28, 1933: Paris to Petersham, MA, 1933-08-28
File — Box: 1, Folder: 58
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1933-08-28
Letter, no date [after Sept. 7], 1933: Nice to New York City, 1933-09-07
File — Box: 1, Folder: 59
Scope and Contents
From the Collection:
The archive is comprised of ~65 handwritten letters from Stanislavskii to Elizabeth Hapgood, 6 telegrams and 3 typed letters. The correspondence ranges from 1928 to 1936 and concerns Stanislavskii’s thoughts on art, his acting studios and workshops, various dramatic and operatic productions, especially Dead Souls and The Golden Cockerel, the fates of various writers and artists he has known, European and American political affairs in the interim between the Wars, and personal...
Dates:
1933-09-07