Box 32
Contains 18 Results:
John Cage to Lucile Cage Garrison, 1978-11
Lucile Cage Garrison to John Cage, 1978-10
John Cage to Pat and Tom Van Alyea, 1978-12
Pat Van Alyea to John Cage, 1978-11
Katherine Aune to John Cage, 1979-01
John Cage to Katherine Aune, 1979-01
Correspondence from Kathan Brown to John Cage, 1978-11
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from John Cage to Bruce Burdick, 1978-12
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Merce Cunningham Dance Co. at City Center, 1978-10
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence between Katherine Aune and John Cage, 1978-01
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Jane Bell to John Cage, 1979-02
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence between John Cage and Lucile Cage Garrison, 1978-11
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence between John Cage and Pat and Tom Van Alyea, 1978-12
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Fictive Music by Robert Bonazzi, approximately 1978
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Rip Keller to John Cage, approximately 1978
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Richard Martin Jarrell to John Cage, 1979-01
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from John Cage to Reese Williams, 1978-12
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Beth Anderson to John Cage, 1978-12
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.