Box 37
Contains 35 Results:
John Cage to Hans Otte, 1980-03
Hans Otte to John Cage, 1980-03
John Cage to Francis Thorne, 1980-03
Francis Thorne to John Cage, 1980-03
John Cage to Anne D'Harnoncourt, 1980-03
Anne D'Harnoncourt to John Cage, 1980-03
John Cage to John Tabak, 1980-03
John Tabak to John Cage, 1980-03
Correspondence from Henry Hinrichsen to John Cage, 1980-03
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Teeny Duchamp to John Cage, 1980-03
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Albert M. Fine to John Cage, 1980-03
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Mary Cullather to John Cage, 1980-03
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Anne D'Harnoncourt to John Cage, 1980-03
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Peter B. Spivak to John Cage, 1980-03
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Cheryl Seltzer to John Cage, 1980-03
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence between John Cage and Hans Otte, 1980-03
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Klaus Schöning to John Cage, 1980-03
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Marion Boyars to John Cage, 1980-03
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Lawrence Koldorf to John Cage, 1980-03
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Ned Sublette to John Cage, 1980-03
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.