Box 120
Contains 16 Results:
"The Rockefellers" by Roberts Blossom, 1988
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
"Outside the Cartouche" by Joseph Marioni and Günter Umberg, 1988
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
"Mutations" by L.P.D.A./Marc Pira, 1988
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Santa Monica Review (SMR), Fall 1988
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
The Sonneck Society membership directory, 1988
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
An Introduction to Harvard, 1988
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
The Howling Mantra, issue two, 1989
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
"Waking the Poet" by Gene Fowler, 1989
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Revista K'an (numero tres prima), From 1991
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
"AEAEA" by Ann Holyoke Lehmann, 1990-08
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
"A Nice Wee Present from Scotland" by Ivor Cutler, copyright 1988, approximately 1991
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
"Towards a Uniphont Economy of Egalitarian Overletters" by Samuel Danzig, 1989-12
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
"Words Not My Own" by Richard Fleming, 1992-03
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
"Landscape Boogie Woogie" by Mark Daley, approximately 1992
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
"It Was He Who Said That" by Richard Fleming, approximately 1992
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.
Correspondence from Sonja Sekula to John Cage, 1958-04
The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art. Early materials focus on family correspondence and newspaper clippings and are interspersed with Cage's own notes and manuscripts. Later correspondence is enhanced through Cage's use of "Note-o-Grams" which provides carbon copies of his sent messages.