Box 29
Contains 23 Results:
Uncle Pastor and maestro (San Diego, CA: Paul Creston), 1984
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Available forms 2 for large orchestra, four hands (New York: Associated Music Publishers), To 1962
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Concerto da camera n. 3 per oboe, violino e orchestra (Milan: Edizioni Suvini Zerboni) , 1966
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Suite from 'Pocahontas' (Scarsdale, NY: Kalmus), 1941
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Soli IV for French horn, trumpet and trombone (London: Boosey and Hawkes), 1976
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Two pieces for string orchestra (New York: Arrow Music), To 1940
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Concerto for piano and orchestra, two-piano four-hand arrangement (New York: Cos-Cob Press), 1929
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
The Tides of Manaunan (New York: Breitkopf), 1912, 1950
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Suite for violin and piano, op. 18 (New York: G. Schirmer), 1950
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
An Matilde (Milan: Edizioni Suvini Zerboni), 1955
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Il Prigioniero (Milan: Edizioni Suvini Zerboni), 1948
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Concerto for violin and orchestra (Moscow: Sovetsky Kompozitor), 1984
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Musik für elf Blasinstrumente und Pauken (Leipzig: C.F. Peters), 1972
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Variations on a theme by Haydn for cello and orchestra (Moscow: Sovetsky Kompozitor), 1986
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Muzyka na taśmę magnetofonową i obój solo (Kraków: Polskie Wydawnictwo Muzyczne), 1966
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Lied per tredici strumenti (Milan: Edizioni Suvini Zerboni), To 1973
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Spiri per dieci strumenti (Milan: Ricordi), 1977
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
To Earle per orchestra da camera in 2 sezioni (Milan: Edizioni Suvini Zerboni), 1971
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Sound study for eight double basses (New York: G. Schirmer), 1975
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Colloïdes (Budapest: Editio Musica), 1971
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.