Box 28
Contains 21 Results:
Contradizione, (Celle: Moek Verlag, 1967)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Contradizione, (Kraków: Polskie Wydawnictwo Muzyczne, 1967)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Jesu, joy of man's desiring, (London: Oxford University Press, 1926)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Cztery dialogi na obój I orkiestrę kameralną, (Kraków: Polskie Wydawnictwo Muzyczne, 1965)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Cztery nowele na orkiestrę kameralną, (Kraków/ London: Polskie Wydawnictwo Muzyczne/ Hansen, 1968)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Ballade for piano, op. 46, (New York: G. Schirmer, 1977)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Bolos, (Stockholm: Edition William Hansen, 1964)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Concerto for horn in F and orchestra, (San Francisco: New Music Orchestra Series, 1936)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Soundpiece no. 2 (Homage to Haydn), (San Francisco: New Music Orchestra Series, 1938)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Soundpiece no. 5: a short sonata for piano, (San Francisco: New Music Orchestra Series, 1938)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
A Mind of Winter for soprano and orchestra, (London: Faber, 1982)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
4 canzoni populari per voce e piano forte, (Milan: Universal Edition, 1946-1947)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Chemins V (su sequenza XI) per chitarra sola e strumenti, (Milan: Universal Edition, 1992)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Coro per voci e strumenti, (Milan: Universal Edition, 1976)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Points on the curve to find… for piano and 23 instruments, (Milan: Universal Edition, 1974)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Sinfonia for eight voices and orchestra, (Milan: Universal Edition, 1972)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Fanfare du Triton pour cuivres et percussion, (Paris: Alphonse Leduc, 1981)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Rondeau imaginaire für orchester, (Berlin: Bote and Bock, 1974)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Versi fur streichorchester, [Berlin: Bote and Bock, 1969]
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Concerto for flute and string orchestra, (New York: G. Schirmer, 1978)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.