Box 33
Contains 14 Results:
Exodus per orchestra e coro (Kraków/ London: Polskie Wydawnictwo Muzyczne/ Litolff's/ Peters), 1986
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Kościelec 1909 poemat symfoniczny (Kraków: Polskie Wydawnictwo Muzyczne), 1977
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Przygrywka I koleda na smyczki I oboje (Prelude and Christmas carol for strings and oboes) (Kraków: Polskie Wydawnictwo Muzyczne), To 1973
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Siwa Mgła na baryton I orkiestrę (Hoary fog for baritone and orchestra) (Kraków: Polskie Wydawnictwo Muzyczne), To 1983
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Fanfare for brass trio (New York: Associated Music Publishers), 1974
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Requieum (Helsinki: Edition Fazer), To 1983
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
'A few minutes with an oboist:' Concerto galante für oboe und kammerensemble (Cologne: Musikverlage Hans Gerig), To 1973
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Matka: freska pro smíšný sbor a sólovou fléntnu (Mother: fresco for mixed chorus and flute) (Prague: Panton), 1966
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Bora: na orkiestrę symfonicznq (Kraków: Polskie Wydawnictwo Muzyczne), 1980
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Róża Wiatrów: na orkiestrę symfonicznq (Kraków: Polskie Wydawnictwo Muzyczne), Starting 1978
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Symphonic elegy for string orchestra (Philadelphia: Elkan-Vogel), To 1947
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Django for chamber ensemble (Amsterdam: Donemus), From 1992
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Études pour piano (Mainz: Schott), 1986
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Konzert für klavier und orchester (Mainz: Schott), 1986
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.