Box 35
Contains 17 Results:
Stances pour piano (Paris: Heugel), 1970
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Turba per coro e maestro (Stockholm: Edition William Hansen), 1969
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Eufonia 3 (Budapest: Editio Musica), 1968
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Musica da camera per 11 (New York: Southern Music), 1971
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Guatuor à cordes (N/A: unpublished copy), 1967
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Sonate pour piano et violon, op. 1 (Basel: Hug & Co.), 1916
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Concerto da camera per oboe, percussione e archi (Kraków/ London: Polskie Wydawnictwo Muzyczne/ Henry Litolff's/ C.F. Peters), 1974
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Fire balls (Kraków: Polskie Wydawnictwo Muzyczne), To 1982
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
I Symfonia (1st symphony) (Warsaw: Przedstawicelstwo Wydawnicłw Polskich), 1970
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
II Symfonia (2nd symphony) (Kraków: Polskie Wydawnictwo Muzyczne), 1971
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
III Symfonia (3rd symphony) (Kraków: Polskie Wydawnictwo Muzyczne), 1972
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
V Symfonia (5th symphony) (Kraków: Polskie Wydawnictwo Muzyczne), 1984
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Concert music for orchestra (Moscow: Sovetsky Kompozitor), To 1983
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Catalogue de fleurs (Paris: Durand), undated
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Le Boeuf dur le toit (Paris: Les editions de la sirène), 1920
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Clarinet concerto (London: Chester), 1969
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Pictures from an exhibition for piano [facsimile edition] (Moscow: State Publishers Music), To 1982
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.