Box 36
Contains 8 Results:
Ison II: concert pentru suflǎtori şi percuţie (Bucarest : Editura Muzicalǎ), Starting 1978
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Pervaia simfoniia/ First symphony (Moscow: State Publishers Music), 1965
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Arabesques (New York: Breitkopf & Hartel), 1921
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Scherzino (New York: Breitkopf & Hartel), Ending 1918
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
24 Capricci, op. 1, per violino (Milan: Ricordi), 1974
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Tragic overture (London: Boosey & Hawkes), 1959
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Diagrammid, op. 11 (unidentified: unidentified), 1966
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Dimensionen der zeit und der stille (Celle: Hermann Moeck), 1961
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.