Box 37
Contains 21 Results:
First piano sonata (Bryn Mawr, PA: Elkan-Vogel), To 1982
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Fourth string quartet (Bryn Mawr, PA: Elkan-Vogel), To 1973
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
The Hollow men (Philadelphia: Elkan-Vogel), 1948
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Introit for strings (Philadelphia: Elkan-Vogel), 1965
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Little piano book (Philadelphia: Elkan-Vogel), 1954
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Mirror etudes for piano (Bryn Mawr, PA: Elkan-Vogel), 1980
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Parable for brass quintet (Philadelphia: Elkan-Vogel), 1969
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Parable for solo bassoon (Bryn Mawr, PA: Elkan-Vogel), 1970
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Parable for solo horn (Bryn Mawr, PA: Elkan-Vogel), To 1973
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Piano concerto (Philadelphia: Elkan-Vogel), 1964
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Reflective keyboard studies (Bryn Mawr, PA: Elkan-Vogel), 1981
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Serenade no. 12, for solo tuba (Philadelphia: Elkan-Vogel), 1963
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Serenade no. 6, for trombone, viola and cello (Philadelphia: Elkan-Vogel), 1964
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Seventh symphony (copy 1) (Philadelphia: Elkan-Vogel), 1959, 1967
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Seventh symphony (copy 2) (Philadelphia: Elkan-Vogel), 1959, 1967
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Sinfonia: Janiculum/ Symphony no. 9 (Bryn Mawr, PA: Elkan-Vogel), 1972
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Fantasia for violin and orchestra (New York: Associated Music Publishers), 1975
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Sinfonietta (New York: Boosey & Hawkes), 1942
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Un grand sommeil noir… (Kraków: Polskie Wydawnictwo Muzyczne), 1979
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Rondes for male choir (Stockholm: Edition William Hansen), 1967
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.