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Box 38

 Container

Contains 16 Results:

Star spangled banner (New York: Mercury/ Theodore Presser), 1941

 File — Box: 38, Folder: 14
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1941

Sphere (Vienna: Univeral Edition), 1994

 File — Box: 38, Folder: 2
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1994

Schwebende begegnung für orchester (Vienna: Universal Edition), 1989

 File — Box: 38, Folder: 1
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1989

Lions (A Dream) (New York: Boosey & Hawkes), 1967

 File — Box: 38, Folder: 3
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1967

Men and Mountains (Arlington, VT: New Music Quarterly), 1927

 File — Box: 38, Folder: 4
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1927

Pages mystiques (Paris: Éditions Max Eschig), 1969

 File — Box: 38, Folder: 5
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1969

Son of Heldenleben (Canada: Universal Edition), 1976

 File — Box: 38, Folder: 6
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1976

Variationen für orchester, op. 31 (Vienna: Universal Edition), 1929

 File — Box: 38, Folder: 7
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1929

Sealed Angel, The (Moscow: Sovetsky Kompozitor), 1989

 File — Box: 38, Folder: 8
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1989

Sonata for piano (New York: G. Schirmer), 1976

 File — Box: 38, Folder: 9
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1976

Zvony (The Chimes) (Moscow: Sovetsky Kompozitor), 1972

 File — Box: 38, Folder: 10
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1972

Concerto (Carpathian) (Moscow: Sovetsky Kompozitor), 1975

 File — Box: 38, Folder: 11
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1975

Le sacre du printemps (Moscow: Editions Musique), 1965

 File — Box: 38, Folder: 12
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1965

Symphonies d'instruments a vent (Paris: Éditions Russe de Musique), 1926

 File — Box: 38, Folder: 13
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1926

Concerto in memory of Alexander Yurlov (New York: Associated Music Publishers), 1977

 File — Box: 38, Folder: 13
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1977

Kbihtet (Quintet) (Kiev: Ukranian Music), 1969

 File — Box: 38, Folder: 14
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1969