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Box 39

 Container

Contains 22 Results:

Addio (Budapest: Editio Musica), 2002

 File — Box: 39, Folder: 1
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 2002

Canto d'autunno (Budapest: Editio Musica), 1988

 File — Box: 39, Folder: 2
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1988

IV Concerto (Budapest: Editio Musica), 1971

 File — Box: 39, Folder: 3
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1971

Lehellet (V Concerto) (Budapest: Editio Musica), Starting 1978

 File — Box: 39, Folder: 4
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: Starting 1978

Musica Concertante (Budapest: Editio Musica), 1975

 File — Box: 39, Folder: 5
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1975

Musica per orchestra (Budapest: Editio Musica), To 1973

 File — Box: 39, Folder: 6
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: To 1973

Musiche per ottoni (Budapest: Editio Musica), 1976

 File — Box: 39, Folder: 7
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1976

Paesaggio con morti [unpublished copy], To 1987

 File — Box: 39, Folder: 8
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: To 1987

Paesaggio con morti (Budapest: Editio Musica), From 1993

 File — Box: 39, Folder: 9
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: From 1993

Pro somno Ignoris Stravinsky quieto (Budapest: Editio Musica), 1981

 File — Box: 39, Folder: 10
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1981

Sonorità (Budapest: Editio Musica), 1976

 File — Box: 39, Folder: 11
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1976

Sonorità (Budapest: Editio Musica), 1976

 File — Box: 39, Folder: 12
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1976

Trasfigurazioni (Budapest: Editio Musica), To 1973

 File — Box: 39, Folder: 13
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: To 1973

Chansons géorgiennes, To 1973

 File — Box: 39, Folder: 14
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: To 1973

Ultimos ritos (London: Chester), 1972

 File — Box: 39, Folder: 15
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1972

Man of Iron: a portrait of Willy Eisenhart (New York: G. Schirmer), Starting 1978

 File — Box: 39, Folder: 16
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: Starting 1978

Portraits for piano solo, Album 1 (New York: Mercury Music), 1948

 File — Box: 39, Folder: 17
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1948

Portraits for piano solo, Album 2 (New York: Mercury Music), To 1949

 File — Box: 39, Folder: 18
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: To 1949

Portraits for piano solo, Album 3 (New York: Mercury Music), 1950

 File — Box: 39, Folder: 19
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: 1950

Portraits for piano solo, Album 4 (New York: Mercury Music), To 1953

 File — Box: 39, Folder: 20
Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Dates: Publication: To 1953